Upcoming Exhibitions

a collage of four artworks produced in variety of mediums color
Left to right: artwork created by Ellen Hackl Fagen, Gail Meyers, Paul Corio, Mikey Gulicek (FIT '28)

Picturing Color

November 12–December 8, 2026

bright multicolored geometric shapes in shades of green, red, blue, magenta, violet, and cream, arranged in a pattern reminiscent of a stained glass; thin cream color lines separate the shapes underscoring the effect.
Jason Stopa, Italian Superarchitettura, 2024

 

PICTURING COLOR: Artists Reveal the Spectrum, which follows PICTURING LIGHT (2024) and PICTURING SPACE (2019), is an exploration of the many manifestations of color. Color speaks to us on an emotional level—it hits us before we even know what we are looking at. The human eye experiences color in varying ways; it can spark physical and emotional responses, stimulating brain activity and altering our mood, while the meaning of color changes from one cultural context to another. PICTURING COLOR brings together the work of fine artists, photographers, graphic designers, and textile designers who respond to color in diverse ways. The specific focus of the show is on work that makes color its primary subject, not just the means to reveal other content. Some of the projects in this exhibition create environmental color experiences by layering transparent colors and by taking advantage of natural light in the Pomerantz lobby.

arrangement of space and wall hangings of various widths and lengths made of dura-lar film with interwoven chenille stems. Shades of pink, red, and yellow dominate the installation. Lines of written word in pastel multicolor pens lend additional patterns to the textured surfaces. There are several drawings embedded in several panels. a large ball of chenille stems tied into bows rests on the floor
Eileen Hoffman, installation The Rapunzel Stories: "Unlocking the Tower", 2023, acrylic paint & pen on dura-lar, chenille stems, 105”h X 70”w x 100”d

The exhibition PICTURING COLOR includes painting, sculpture, and site-specific installations in a wide variety of materials and media, including interactive displays that visitors can explore to see how our perception of color is influenced by lighting. The exhibit includes a selection of historic books on color theory from the collections of contributing artists Sanford Wurmfeld and Bascove, displayed on the wall and in vitrines in the back gallery.

The exhibit is organized around six key concepts:

Spectrum
Work which reveals the entire spectrum of visible light.

Monochrome
Work which focuses on one particular hue (including grayscale) and pushes the limits of value and saturation. 

The Cultural Meaning of Color
Work which explores the cultural connotations, symbolism, and emotional associations of color.

Contrast
Work which uses strong hue contrasts, such as complementary colors, to create a dynamic range of expression.

photograph in a darkened room, picturing an oval reflection of a bright light cast on the wall. the large center of the reflected light is white edged by a line of intense magenta and finally bright neon red, the surface of the wall appears dark maroon. Secondary reflection extends to the adjacent wall where the edge of the oval meets the corner
Zaren Hormuzdiar (FIT '26)

Saturation/Desaturation
Work which features highly saturated colors or very desaturated colors (or both) to push color exploration.

Gradation
Work which employs a sequence of colors that gradually become lighter, darker, or more saturated.

Professional artists who are engaged in color exploration have been invited to be part of this project. Some have created site-specific installations for the Art and Design Gallery. Contributions also come from current FIT students, faculty, and alumni from programs including Spatial Experience Design, Photography and Related Media, Communication Design, Textile/Surface Design, Color Science, and Fine Arts.

Public programs include a walk-through discussion with the artists, open to the FIT community, and a hands-on batik workshop with artist N’ketiah Brakohiapa. 

Designers and artists make color choices for many reasons—to appeal to specific target audiences, to express concepts, to grab the attention of a distracted public, or simply to follow their own obsessions. PICTURING COLOR brings together a wide range of color experiences, from analytic to emotional to symbolic, and reattunes our sensibilities to the deeply meaningful ways that color affects all of our daily lives.

a mixed media multicolor collage with repeating motif of shells and winding helical pattern repeated throughout the work
Bascove, Color Charts, 2015, stamps, pigment print, photography, thread, yarn, drawing on hand made paper, 33.5" x 41"